From models to drawings: Critical studies in Architectural Humanities |
In our ever increasing digital
age, the use of computer aided design has, in many respects given traditional
drawing and presentational techniques the back-seat. With BIM and
CAD claiming to present innovative development in design representation, market
driven and technologically biased methodologies, by which architectural
graphics are conceived, are edging further and further away from individuals
sensory experience of a place. “…images
that do not aim to emulate the human phenomenology of perception”. Hence
the productions of digital representations only show realistic interpretations
of a possible space or environment.
On the act of drawing: “a compelling reflexivity emerges … a continuous
and meditative process completed by the hands. Their thoughts engage a separate
temporality from the flux of the cosmos by which effects our indiscernibly
before or after their causes.”
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